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Wednesday, April 28, 2010

Update!


Merriman Park has sort of been put on the back burner, these days. I'm not gonna lie, the weather here in Minnesota has been way too glorious to stay cooped up in the basement with a giant, unfinished dollhouse! No, you don't understand! Spring usually sucks here in the Upper Midwest! We usually still have brown, crusty, leftover snow on the ground in April and we haven't had so much as a flurry since March first. It's INSANE! Not only have our ten-thousand lakes been unfrozen for ages but there are gaw-jess flowers blooming, people! The grass is green! I got sun burned, already! It's too surreal!!!

Also, my dollhouse project has been usurped by Project Runway. No, not the popular TV show, my own special, private project runway --I am making a party gown for my best friend's daughter who is turning thirteen and the theme for her Bat Mitzvah party is: Masquerade! The dress is a glittery confection of pink silk designed with an abstract harlequin pattern (thanks, Oscar de la Renta) embroidered from the fitted bodice to the bottom of its floor-length hem with iridescent fresh-water pearls. It's still just in pieces but I'll snap a pic if I can ever find the freakin' camera, which never seems to be in the same spot, ever!

Monday, March 22, 2010

Keystones

So here you can see some of the primed windows. I added keystones to the arched windows on the ground floor, along with crown moldings to give them a little more dimension. If you click on the photo you might get a better glimpse of them. Also new are the decorative stair ends from Sue Cook in England. Wait until you see the cast pewter balustrade (also from Sue Cook) which will go between the Ionic pillars! So cool! But it's going to be a while before they get installed...

I also decided to switch the window pediments from the bonnet style you see here to a triangular style. Originally I wanted to alternate triangular and semi-round pediments, but for some unknown reason the semi-round ones available through Houseworks are 1/4" smaller than the triangular and bonnet models. Stuff like that makes me insane! Why, why, why would they not make them all the same size except to plague and torment me! So anyway, I chose the bonnet pediments as a compromise but now I see that the triangular ones would have been the better choice.

I think that all I have left is to place paneled pilasters on the basement under the quoins. (They will match the pedestals on the roof). Then I can prime and paint the exterior!

Oh, I just realized the front steps are out of whack --don't worry-- they're not glued down, yet!

Balustrade

Worked on the chimneys and the roof balustrade. There are four chimneys and they will each get a crown molding around their tops. But that will have to wait for another trip to the local dollhouse shop. I also am waiting on a replacement balustrade because I accidentally destroyed one in a foolhardy attempt to hurry the project along. Pardon my blooper! It should be coming any day now from England along with miniature urns that will rest on top of the little paneled pedestals. The urns were manufactured in Scotland. I think the paneled pedestals are way nicer than the old plain ones, don't you think?

The chimney pots are new, too. They are wooden and came painted as you see them --I'll probably end up repainting them. I started priming all seventeen windows and if I thought making the mullions was a pain in the ass, let me tell you how boring this task is! All the windows have to be taken apart and all the separate pieces painted, then sanded, reassembled (there are so many little pieces I am afraid of loosing some). Then I get to do it all again when it comes time to paint the topcoat. WEEEEEEE!!!

Monday, March 1, 2010

Book Review: The Sixty-Eight Rooms by Marianne Malone

Newly available in stores, The Sixty-Eight Rooms by Marianne Malone will delight children of all ages who have a particular soft-spot for the Thorne Rooms in the Art Institute of Chicago. The Thorne Rooms are a collection of miniature room settings in historic period styles and are of exquisite "almost eerily realistic" design. In this story, young Ruthie and Jack discover that they can shrink themselves down to the rooms' scale, sneak inside the closed museum and explore the rooms' secrets.

Anyone who has been lucky enough to see the actual rooms will be able to relate to the young protagonists on their adventure. Those less fortunate, however, might have a hard time. Author Malone describes the rooms in lovely detail, but her descriptions pale to viewing the rooms themselves. You really have to see them to believe them!

That is why this work would have been more successful as a picture book. Oh, there are a few well-executed, dream-like illustrations by artist Greg Call. But when Malone writes things such as "Finally she arrived at room E12, an English Drawing Room from the year 1800." (these sort of lines run copiously throughout the book), I have a hard time believing a child is going to know what Malone is talking about... Drawing Room? 1800? E12? --Huh?

As I happen to have a copy of the Thorne Rooms museum catalog, I was able to reference each of the numbered rooms the characters visited. (The catalog is an almost must-have companion piece to this book).

The Sixty-Eight Rooms was an amusing afternoon diversion for this ardent fan of Mrs. James Ward Thorne. Devotes of the Thorne Rooms will undoubtedly agree.

Sunday, February 28, 2010

Shady Island Cottage



I built this 1/4" scale model a year ago in a pathetic attempt to stay sane during the dreary, never-ending winter season, which seems to go on forever here in Minnesota. It is a replica of my childhood home on Shady Island, on the shores of Lake Minnetonka. Actually, it's not an exact replica --of course I made a few "improvements," such as placing the kitchen next to the dining room instead of on the opposite end of the house, an arrangement that I never quite understood, even at such a tender age. But what do I know from architecture?

The house was built around 1910 in the Arts and Crafts style. It was constructed of redwood 6X6 timbers and sheathed with tongue-and-groove redwood planks. That was it! (It was originally a summer cottage). The overall ambiance was of a cozy, rustic lodge. The fireplace, flanked by French doors to the porch, was made of stones pulled from the lake. When my parents purchased the house, it came with all the accumulated hodge-podge of furniture, including a suite of hickory "twig" furnishings (possibly Stickley) and a screen porch full of Art-Deco wicker. An ancient, upright piano stood sentry under one side of the the double stair. Boston McPhail read the plaque below its swagged garland of carved oak leaves and above its yellowed, ivory keys. There were taxidermy trophies scattered throughout: a deer's head here, a pheasant (with broken wing) there, antlers galore and most disturbing, a headless fish (chewed off by a foraging raccoon)! The vaulted living room was lit by electrified brass lanterns salvaged from the original cars of the dismantled trolley line that once crisscrossed the Twin Cities of Minneapolis and Saint Paul. The children's bedrooms were located up in twin open lofts that looked down to the main floor --girls on one side, boys on the other. Privacy was pretty much non-existent. But who cares about that when you're ten or twelve? It was a magic place. Nooks and musty crannies for days. I can still hear the rain tap, tap , tapping on the exposed rafters above my little twin bed.

I remember the perennial "rock garden," filled with the old-fashioned flowers which are still my favorites: iris, columbine, peonies, bleeding hearts, lily-of-the-valley. The lake-side, porch facade was lined with Annabelle hydrangeas. There was a ruined, ramshackle gazebo (that I swear to god was haunted). The best part was the view from the back porch: the sloping lawn with its zig-zag walk of flagstones heading down to the the lake. The shimmering, silver lake itself with Spray Island off to the right, Goose Island off to the left, the whole panorama framed by tall, flanking pines...

The house underwent an unfortunate 1970's redecoration and then we moved on to a more conventional, modern split-level. But I got my own bedroom! (Which suddenly seemed much more important to me at fifteen)! Eventually, the humble cottage fell into unsalvagable disrepair and was torn down when the lot it sat upon became increasingly more valuable. A horrendous, nondescript McMansion now sits on the site today. I hear they saved the fireplace.


Tuesday, February 23, 2010

Quoins Came!


I made a mad dash home from work today because I knew that my long-awaited quoins would greet me on the front porch. The thermometer plummeted the previous night, flash-freezing the mushy slop on the sidewalks into glare ice. So I guess the "mad dash" from the train station was more of an erzatz skating routine, without the triple loops but with much flailing of arms. I ain't no Evan Lysacek. Hell, I ain't even no Johnny Weir, that poor hot mess, though I do admit we share a similar certain baroque fashion-flair fierceness!

And though the package was not waiting for me when I got home, they were delivered an hour or two ago and I've already affixed them in place onto the classical facade of Merriman Park!

I love, love, LOVE them! They really make the piece look less like a big plywood box and more like an actual building. I also added some crown molding to the arched windows on the ground floor. I never was too pleased with these windows (I think they are just a tad clunky). But the molding helps. I think I am going to add keystones to them as well --because like I always say: it's not done until it's overdone!

Monday, February 22, 2010

Status Report

This weekend I attained my goal of finishing ALL of the window mullions! What a Labor of Hercules that turned out to be. Guess I just hate repetitive chores.

My utter relief at reaching this minor milestone was rather short-lived. Because I soon realized that now I have to PRIME & PAINT ALL SEVENTEEN WINDOWS (plus one door). To the uninitiated, this might not seem to be such a horrific task. But these windows happen to be working, double-hung (wink) components that slide up and down in rabbited tracks. Thankfully, they un-assemble to make the job slightly more easy.

I am debating whether to spray or brush on the primer and subsequent top coat. Problem is the weather here in the frozen hell that is Minnesota is only 20 - 30 degrees. And my primitive basement/"workshop" (and I do use the term loosely) is not ventilated well enough to spray-paint indoors.

Guess I'll be using a brush.

In other news, the aforementioned balustrade arrived in the mail today all the way from England. Also, an Empire-style mirror I picked up for a ridiculous price from Swan House Miniatures. And tomorrow the elusive quoins are scheduled to come.

Speaking of which, it was pointed out to me that the reason my order took so long to be processed might be because the company was re-casting the parts. Which I suppose could be true and it got me to thinking, "oh my god, I'm turning into one of those detestable, whiny, unreasonable customers with an inflated sense of entitlement." Of course, if they had sent a simple email letting me know my order's status, (which I don't think is asking for too much), I wouldn't be writing this at all...I'm just sayin'.